
Bob DYLAN & THE BAND. Cat: 196588 90932 Rel: 23 Sep 24 Folk/Americana. Chicago Stadium, Chicago, IL - January 3, 1974. Chicago Stadium, Chicago, IL - January 4, 1974. The Spectrum, Philadelphia, PA - January 6, 1974 (Afternoon).
The Spectrum, Philadelphia, PA - January 6, 1974 (Evening). The Spectrum, Philadelphia, PA - January 7, 1974. Maple Leaf Gardens, Toronto, Canada - January 9, 1974. Montreal Forum, Montreal, Canada - January 11, 1974.Boston Gardens, Boston, MA - January 14, 1974 (Afternoon). Capital Centre, Largo, MD - January 15, 1974. Capital Centre, Largo, MD - January 16, 1974. Coliseum, Charlotte, NC - January 17, 1974.
Hollywood Sportatorium, Hollywood, FL - January 19, 1974 (Afternoon). The Omni, Atlanta, GA - January 21, 1974.
The Omni, Atlanta, GA - January 22, 1974. Hofheinz Pavilion, Houston, TX - January 26, 1974 (Afternoon). Hofheinz Pavilion, Houston, TX - January 26, 1974 (Evening). Madison Square Garden, New York City, NY - January 30, 1974. Madison Square Garden, New York City, NY - January 31, 1974 (Afternoon).
Madison Square Garden, New York City, NY - January 31, 1974 (Evening). Seattle Center Coliseum, Seattle, WA - February 9, 1974 (Afternoon). Seattle Center Coliseum, Seattle, WA - February 9, 1974 (Evening). Alameda County Coliseum, Oakland, CA - February 11, 1974 (Afternoon). Alameda County Coliseum, Oakland, CA - February 11, 1974 (Evening).
The Forum, Inglewood, CA - February 13, 1974. The Forum, Inglewood, CA - February 14, 1974 (Afternoon). The Forum, Inglewood, CA Pt. 1 - February 14, 1974 (Evening).
2 - February 14, 1974 (Evening). In 1974, Dylan reunited with The Band for the first time since their 1966 tour, performing 30 shows in just 42 days. The box set captures these performances on a monumental 27-CD, with 417 previously unreleased live tracks, among them some 133 recordings newly mixed from 16-track tapes as well as every surviving soundboard recording. This set - which marks the 50th anniversary of the tour - also includes comprehensive documentation by journalist and critic Elizabeth Nelson, making it a definitive chronicle of Dylan's return to touring after an eight-year hiatus.